madrigals | SingingASong.net

In the middle of town, along the sycamore lined streets of Santa Clara, Utah, across from the town’s Heritage Square and an LDS church house, is an old house that is home to a singing voice studio- The Stage Door. The owner is a young man named Brodie Perry. Brodie is a singer and a popular singing coach.
Can he sing?
Well, in my opinion if you take a Andrea Bocelli, Josh Grobin, Michael Buble, and any number of other contemporary vocalists and roll them all into one, you’ll have Brodie Perry. He’s that good.
He said that singing has taken him from a not so good person to a good one.
He has a young family, is a church choir and Culural Arts director,runs a successful voice coaching business.
I recently visited his studio, arrriving to find him at a computer, having just finished a lesson with a student in Greece. We spoke for 5 minutes or so before his next student, a young man, arrived.
I’d gone to see Brodie to ask if he’d guest blog for me.
“I usually get paid to do that sort of thing,” he said.
And he didn’t need any advertising of his services. So I left.
But a week or so later, he spoke at a fireside chat. (No one has a fire anymore but speeches given in the evening are still called fireside chats or just firsides.) I of course took notes.
The following are some of the highlights. I think you can learn much about your musical journey by learning about the journey of others. So here goes.
Brodie started life in San Fransico area of California. He didn’t sing but at age 13, to be close to a girl he liked, he joined the school choir. At 15 his parents moved from Concord, Ca to St. George, Utah. He was bitter over the move, having been torn from friends in school.
Upon arriving in the new high school (Pineview) he enrolled in choir under the tutlage of director Norman Lister. Norm has touched many lives. (I just saw him on the 4th at the celebrations in St. George where he was judging a singing competition.)
Norm said Brodie had an animated delivery. Brodie got in a quartet with “an easy song.” After they sang, the teacher asked Brodie, “Can you be here at 7 am?” He was asked to join the Madrigal Singers.
But at this time in Brodie’s life he lived for sports and girls, being on the football and baseball teams. However Norm Lister “opened my eyes to all kinds of music” “especially classical”.
He did choral and solo work.
After one solo, it was commented, “I didn’t know you were an opera singer.”
Mozart’s Don Giovanni and “all of a sudden I was swept into a classical world… a new world of opera.’
At this point in his remarks, he paused to sing “The Lord’s Prayer”. He gave a powerful delivery ending on a high tenor note though he is a barritone.
Back to his tale. His mother loved the singing of Johnny Mathis and 50s/60s music was big at his house.
“My teacher started working with me daily to get me to the next level.”
Norm Lister gives his students and community singing groups the opportunity to travel to New York City and to sing at Carnegie Hall. Brodie relates, “We got the opportunity to sing at Carnegie Hall”.
But before that happened, Opera singer Michael Ballum performed at the St. George Tabernacle. A duet (Jesu Bambino) had been arranged but the tenor didn’t show up for some reason and Brodie was asked to fill in. At the end of the number “and I kid you not, devine intervention stepped in, it was the only explanation,” I hit “a high G”. “It soared” “I don’t know where it came from.” He obsorbed it all in during the concert. And after the concert as Michael Ballum left the front doors, he stopped turned around and came back to Brodie and said, “I’ve got to talk to you again soon”.
The next week saw the school group at Carnegie Hall. After their show, he and his friend went to the Le Mis show and then to the Whoopi Goldberg show to see if they could shake her hand.
A 11 pm they got back to their hotel, the New Yorker. A message was there with his teacher to call Michael Ballum back in Utah no matter how late. When Mr. Ballum came on the line, Brodie was taken aback to hear that a baritone had dropped out of Ballum’s Summer Opera season and “would you like to fill in?”
Brodie is 17 at this time. The job would entail 2 operas and a play for the summer at $300 a week, housing, etc. He had to learn French. “blind luck” and he was “successful”.
“That summer is where it basically all began.”
Because of that summer, he got a full scholarship to Utah State University where he continued his singing and met his wife to be. Quit smoking and drinking liqour.
Here he interrupted for another song “The Test” (“after the trial we will be blessed.”)
Then he sang another song with a girl student, Avonlee Dalley, was presented. “The Prayer”
It was just as lovely as any rendition you have ever heard of this song, being delivered in English and Italien. His last note ended a perfect song soft and high.
“Music brings people together…feel the same emotions…music proves we are the same.” -John Denver.
“Music is the great Equalizer!”
Then Brodie reviewed the film Shawshank Redemption and how music was used and taught in it and how it changed the inmates of the prison. of Red’s harmonica “something inside they can’t get to you. It’s yours!” “those moments you’ll never ever forget.”
He quoted Stephen King on music. “I love music-all kinds…it gives me ideas-things I’d never think of.” Of the music score it “simply insisted on being in the movie”. And he wrote it while listening to the “Marriage of Figaro”.
“We, as musicians, are in the position to touch the souls of those who listen.” Spencer W. Kimball himself a piano player who one had a band.
Then Brodie sang the song “Consider the Lillies”
“I have way to much stuff to talk about,” he said afterwards.
He told of his singing experiences in Las Vegas and St. George Musical Theater and elsewhere.
“Music may influence more that speakers can.”-Boyd Packer
He sang one last song, a song written by Utah pioneer John Taylor, “Oh give me back my prophet dear”.
Brodie finished with a quote from Oliver Wendel Holmes, “Alas for those who never sing but die with their songs unsung.”